Face to face.

Another shot on our working arrengement. We work face to face and, as my table acumulates ink pots, Bá's table acumulates tecnical pens.

Back to work, and good week.

Talking out loud.

You've seen our artwork in many places. You've read our stories (maybe) and loved it. Now, it's time to hear what we have to say.

There's an podcast interviw with us over at the Bullpen Bulletins. To listen to it, you can clic here or here.

Now, who can tell who is saying what?

Back to crazy workload, now.

Drawing and Writing

The work never ends, but it's not supposed to. I'm halfway done with my second issue of Casanova, and now I feel I'm completely confortable with the book. Of course, all of this will change as I start my third issue, 'cause it feels like every chapter is the first, but that's not the big picture.

That's my table as it stood today at late afternoon, by the way.

Bá's also done with his issue of Umbrella Academy, and a new issue awaits. When you look at his pages, you realize he's yet to reach his full potential, and every new page is a expectacle. I know I sound like the proudest of the brothers, but wait until you see the pages.

We've been reading all these scripts, but it's hard to say they're changing the way we write our scripts, mostly because we write almost only dialogues and captions, with barely any panel description. One thing I know does happen is that we're constantly increasing our visual vocabulary as we draw other people's stories, and that vocabulary stays with us when we're writing our own.

Writing helps us draw, and the other way around as well.



The first Casanova trade is out today! Go get it!

Thinking.

High goes the passing cloud.
High goes my thought
Slave of your graces
Like clouds the wind paces.

poem by Fernando Pessoa

Casanova cover 9

I'm almost halfway through this issue and, after Bá finished the cover, I saw I had to change something on my pages to match the coolness of the image.

May.

I have this recurrent impression that May is always a super busy month. It's when we really start to accumulate various projects, and work on them simultaneously, in order to finish everything in time for the events of the coming months. In Brazil, it's always at the end of June, or begin of July, that we make something to sell at the HQ Mix, the brazilian comics award ceremony. In the States, we prepare for the San Diego Comicon, which happens at the end of July.

We are hard at work here. Each one of us is drawing two stories, and writing another two (together). It's all worth it. but it takes a lot of our time, and sometimes more than we would want.

The good thing about having a lot of work is that you really learn how to focus. I had a real problem focusing in front of the computer, spending hour surfing the internet, going from one forum to the next, reading the news about comics I never read, and not doing the comics I want people to read. Now, I barely check my e-mails (sorry if I take some time to answer it), and I spend a lot more time at the drawing board, drawing.

It's busy, it's fast, it's hard.

But life is good.

PHINEAS POE!

Santa Barbara-based indie comics publisher Terra Major is set to release its first monthly serialized comic, PHINEAS POE, a graphic adaptation of KISS ME, JUDAS, the first book of the critically acclaimed noir trilogy PHINEAS POE, by author Will Christopher Baer. PHINEAS POE will be illustrated by award-winning MTV Brazil animator Jefferson Costa, making PHINEAS POE the eighth Terra Major title illustrated by an up-and-coming Brazilian artist.

Order now! You won't regret it.



PHINEAS POE #1 debuts JUNE 2007.
Diamond Order Code: APR07 3955, Page 342.
Writer: Will Christopher Baer
Artist: Jefferson Costa
Format: 32pp Standard Size Comic / B&W / $5
For Mature Readers



PHINEAS POE #2 due to JULY 2007.
Diamond Order Code: MAY07 3719, Page 345.
Writer: Will Christopher Baer
Artist: Jefferson Costa
Format: 32pp Standard Size Comic / B&W / $5
For Mature Readers

Step by Step - the art of Umbrella Academy

The Free Comic Book Day was yesterday and I hope lots of people have got their copies of the Umbrella Academy comic. I know I still don't have mine. Anyway, I hope people like it, because I'm really having a great time working on that book.

I decided to show some steps of the production of the pages here, now that I can actually show the pages.



1- Layouts. This is what I do to show to editor Scott Allie and writer Gerard Way. The approve or ask for changes, make suggestions, then I can show them only the final inked version of the page. I make the layouts very small and I don't enlarge and print them like some people do. When I go to pencil the page, I keep the layout next to me and do everything again. A lot of times it is very hard to get the same emotion, movement and expression I got on the layouts when I'm translating it to the big page, but I always end up getting it.



2- Inking. After I pencil everything, sometimes with more or less detail, depending on lighting, planes, whatever, I ink the page. BLACK AND WHITE RULES!



3- Colors. When I'm done, I send the pages to Dark Horse and they send it to Dave Stewart, who does MAGIC on them with colors. People know me for not being happy with color jobs over my pages, but I'm so glad with Dave's work. I could not imagine someone better for the task.

So, let's go back to the drawing board, because lots of Umbrella pages still await me.

De:TALES SALE!

There's a big De:Tales sale at Khepri, as well as other Eisner notinated titles, so if you haven't read our book yet (or any other of the many on sale at Khepri this month), this is your chance. Don't miss out, and hurry, there's a lot to read if you want to catch up o all these books.

I'm in the mood for comics.

So, I finished my first issue of Casanova and currently I'm thumbnailing the next. This is, like I already said, different from what I expected, and I'm learning as I go. I still feel like a reader to this book, just now learning what happens when I get the script, instead of once I got the comic.

And I get to draw the book now, but I'm still getting used to that part, and I guess everybody will also have to get used to that as well.

I'm having fun with the spot color. Not always I go as heavy on the black as Bá, so to be able to have another color to add shadows and mood is good, and I think I did a very good job on my first issue. You can check the image on our left to be the judge if you don't trust me. And, yes, now we're going blue, as long as the second album lasts (second album = Fábio). We almost chose blue for the first arc, but Bá, the genious that he is, chose that weird green, and that was awesome. Now, however, we're doing blue. Blue is the new green.

I gave an idea for the cover of issue 9 for Bá, and he might do the cover this weekend. As for me, it's all about interiors. I'm not doing covers for Casanova, I'm not doing the cover for our special San Diego comic, and I'm not doing the cover for... well, that was it so far.

You know, Matt only writes the back matter after the pages are done, and since now all the pages are done, I wonder what he's going to write about. That's probably the part I'm still a reader of, since I'll only know when the book comes out. In August (the wait is the worst!). Until then, I'll already have three more issues ready and I won't even care anymore. I'll be already waiting for more scripts, and more pages, and more backmatter. I won't even remember I wrote this then, and I'll probably write something similar when issue 8 hits the stands.

Right now, all I can think of is that tomorrow is FREE COMIC BOOK DAY and the first Umbrella Academy story will appear. Bá did a terrific pages on this book, and you'll see that he's keeping busy as well since he stopped drawing the sexy spy book I took over. Gehard Way is turning out to be a great writer, and we laugh out loud and cheer when we read his scripts, so Bá is really enjoying drawing this book. Tomorrow, you'll see just that. And remember, tomorrow is FREE!

I'm going back to the drawing board now, to finish some brain illustrations I have to do, and then I have to draw Ahmed Ertegun. I'll check back once all this overflow of work passes and I'm back into being just a comic book creator.

Good crazy.

I can start by saying it has been interesting. This whole monthly gig thing. Entirely different than working on a Graphic Novel, sometimes easier, sometimes harder. Knowing you have less pages than days in one month isn't always a good thing when you're used to squeeze pages to fit the workload and meet the deadline. Free time is addictive, and it leads to no good.

One thing we're doing here on our free time is write a lot. More than sketching (which we're coming back into doing), we talked a lot about ideas and stories this month, and we're putting it down on paper. Hopefully, new stories will come to life before the end of the year, and then we'll schedule the whole thing to release it as soon as possible.

May will be a funny month. Both Bá and I will be working in more than one project at the same time to finish our special San Diego comic (which we have to coordinate with the other equally busy artists), and we'll likely come up with some other stuff just because we can't sit still for too long. May is going to be crazy, but good crazy.

Back to work now, and here's to the good crazy.

Morning fiction.

Suddenly, it's like we've woken up in the middle of the winter. It's cold and it's grey, and my bones feel like staying in bed. My mind goes through the workload of the weekend to determine how much time left I have, which is never enough, and I decide it's time to get up and take a shower.

Mind made, it's just a matter of turning to the other side of the bed to find the door to the bathroom. That much I do, still under the blanket. I then fall back asleep and continue the dream I was just having, hoping to find another girl to talk to.

Maybe when I wake up it will feel like summer again.

Sit.

My lesson for today.

I gave a lecture at the university this week. The same college I graduated in fine arts ten years ago. There I was, talking about comics to people studying architecture, fine arts and graphic design, and fashion and cinema. After the strangeness of being the teacher instead of the student was gone, I realized how much work I have done all these years, and how much I had to change and grow up since my college days.

Isn't it nice to see that you've actually learned something? And, better, that what you have done can teach others, and they can learn from you?

As I returned to the studio, I was, just as my brother, filled with ideas, with experiences we collected from all those eyes and from all those questions. And the smiles.

I love teaching and this feeling that we're telling our own stories and we're all learning what happens next as we go.

Thinking, drawing, choosing.

I'm always thinking about the stories I've told and the ones I'm yet to tell. I'm always thinking about how much time I spend on the drawing board, and how much time must I spend outside, talking, interacting, living, in order to fuel my next stories. I think a lot about which stories I'm willing to draw, and that counts most when I'm drawing something I'm not writing. The answer isn't always the same. It shouldn't be, really. There're a million reasons to choose one story, to choose one character, to choose one writer. We're always choosing how we're going to spend the next year's worth of work, so we better think a lot before choosing.

This weekend, besides drawing Casanova pages, I came up with my pages for the super comic book we're doing for San Diego. Bá already thought of his story two weeks ago, so I had this feeling I was dragging my feet for the last two weeks. I did the thumbnails and I'm happy about them. They make me want to draw this story, so they did their job well. Now it's time to do mine.

De:TALES - Eisner nominee!

The list of nominations for the 2007 Eisner Awards is out and we have been nominated in the category Best U.S. Edition of International Material with our De:TALES.

Nice.

short stories.

The image above comes from yet another story about dance I just finished. I do one of those once a month, for a dance magazine. As I love dancing, and as I find it is easy to talk about almost everything in life using dancing as a metaphor, I really enjoy creating these stories. It's an exercise which reminds me of my early fanzine days.

Today, I'm drawing the longest page in the history of Casanova. It also might be the fastest page to draw. We'll see. Well, I'll see, you'll just have to take my word for it until the new series kicks off in August (yes, I'm also in pain knowing what I'm doing today won't be in the hands of all my three fans - hi, Becky! - until August).

Bá's hard at work on the Umbrella Academy. As we look at each other's drawing board, we can assure we're drawing two completely different books, but both are fun to draw.

They'll be fun to read as well.

Fabio's monthly book.

I'm completely out of time. I'm working like a dog, sick like a pig. Good times. Between writing and drawing my own stories, I decided to take a new side job, one that scares the shit out of me for several reasons, the least of it because it's a monthly book. But it's monthly, after all, and that should be interesting in itself.

You all know this book. If you don't, you should. It has everything from guns, action, romance, SEX, naked people all around and a monstrous lady sidekick. Lucky for you, I hear the first trade is out any minute now, and my first issue is a great starting point as well.

My brother is doing the covers for my book, which is more than natural, since he did all the covers of the series so far.

Here's the one he just did:

New Terra Major comic!

Phineas Poe #1
writer Will Christopher Baer
artist Jefferson Costa
publisher Terra Major
32pp / No Ads / BW / $5 US
DCD Code: APR07 3955 / Page 342

We started our international career in comics with Shane Amaya's Terra Major comics. He wrote Roland - days of wrath and we did the artwork. We got a Xeric Foundation Grant for it back in 1999. After that, Shane continued producing more historical fiction books with other brazilian artists like Bruno D'Angelo and Kako, until finally in 2005 we released the big book of brazilians doing westerns: Gunned Down (okay, there were two or three americans involved on that book).

Now, Terra Major is back, publishing their first mini series. Adapted from the best seller Kiss me Judas, Phineas Poe has the outstanding artwork of fellow brazilian Jefferson Costa.

Order this book from the Diamond catalog and wait for it in June. Or click here to know more.

Eagle Awards nominee