At the end of today I looked at my desk

Bá and I work on many projects at the same time. Part as a result of being a freelancer and thinking we have to accept every offer we get ( dreading not having any after we finish the current book), and part just because there are projects, invitations and people who want to collaborate with us that we can't simply say no – they're too good to pass –, we end up working on many things, some big, some small, some writing for ourselves to draw, and some drawing what others have written.
So, from time to time, when we finish something and have a little time to step back and look at what we're doing... well, to look at our drawing board, then we get so see some of these many facets of the delicate crystal we work on.
Tonight, I finished the first draft of a new script and sent it over to the editor.  That's the high point of my week – the awful game on tuesday being the low – so I stepped back and tried to look at my drawing board.

My sketchbook has a figure drawing of a woman from last year's class I gave (I have something I can't show yet on another page, so I flipped it to that page to take this picture).
On the top left, I have some bookplates left for the BPRD: Vampire TPB that we did for Gosh.
I started to sort out original art to take with me to San Diego for Comic Con, and that's why the Killjoys variant cover I did is there, looking right at us.
The bottom left is what's left of color studies and preparation for coloring my story for the Magenta issue of the CMYK Vertigo Quarterly anthology.
On the right, the script and the layouts of Casanova 4.2, which I'm working on and am afraid I'm a little late.

Boom!
Pa-Zow!
Back to work. It doesn't really matter if you work on one project, or on many. If you believe in what you're doing, it's all worth it, and you should give it everything you have.